"Between textiles, painting and sculpture, my work explores material as a space for transformation.
From fabric to volume, from sculpture to painting, I seek an intimate truth
where sensuality and memory intertwine".
From fabric to volume, from sculpture to painting, I seek an intimate truth
where sensuality and memory intertwine".
"Through my work, I seek to weave links between fabric, sculpture and painting.
It's a multi-faceted expression that speaks of matter as a sensual object where everything blends
blends and transforms: from fabric to volume, from volume to paint.
I'm neither an upholsterer, nor a sculptor, nor a painter; I'm all these plastic artists at once, and I play with these materials to seek my own truth.
to find my own truth.
My approach is rooted in a reflection on the feminine through the use of materials
traditionally associated with the domestic sphere: textiles (sewing), oilcloth (cooking).
kitchen).
These practices, handed down from mother to daughter, become a terrain for contestation and reinvention.
My career path began with my art thesis at Paris 1 Panthéon Sorbonne,
which focused on the study of the Song of Songs (a Biblical poem celebrating the marriage of King Solomon
of King Solomon and the daughter of the Pharaoh of Egypt), which resonated with my own wedding
and my wedding dress.
This paved the way for a plastic and symbolic interrogation of weaving and material.
material.
The act of weaving and its result, the fabric, bear witness to a work of binding that evokes any activity
where what was separated is brought together.
Through the interweaving of warp and weft threads, weaving becomes metaphor and language;
symbolizing the close, intense relationship between two individuals, two images, two words.
Today, I'm introducing new materials to my fiberglass and resin sculptures,
Loups et Copines, extends and completes this research.
It's a multi-faceted expression that speaks of matter as a sensual object where everything blends
blends and transforms: from fabric to volume, from volume to paint.
I'm neither an upholsterer, nor a sculptor, nor a painter; I'm all these plastic artists at once, and I play with these materials to seek my own truth.
to find my own truth.
My approach is rooted in a reflection on the feminine through the use of materials
traditionally associated with the domestic sphere: textiles (sewing), oilcloth (cooking).
kitchen).
These practices, handed down from mother to daughter, become a terrain for contestation and reinvention.
My career path began with my art thesis at Paris 1 Panthéon Sorbonne,
which focused on the study of the Song of Songs (a Biblical poem celebrating the marriage of King Solomon
of King Solomon and the daughter of the Pharaoh of Egypt), which resonated with my own wedding
and my wedding dress.
This paved the way for a plastic and symbolic interrogation of weaving and material.
material.
The act of weaving and its result, the fabric, bear witness to a work of binding that evokes any activity
where what was separated is brought together.
Through the interweaving of warp and weft threads, weaving becomes metaphor and language;
symbolizing the close, intense relationship between two individuals, two images, two words.
Today, I'm introducing new materials to my fiberglass and resin sculptures,
Loups et Copines, extends and completes this research.
