Conférence de Ondine Bréaud-Holland - Changement d'humeur

I should rather say, to go to meet art exhibitions whose design and arrangement have been entrusted to curators, but also to scenographers specializing in atmospheres or ambiances, when it is not a question, as we see more and more often, of artists wishing to sign in turn a work of creation? To what extent will we be sensitive to the affective tone that emanates from the place and therefore ready to choose it or on the contrary to turn away from it by cutting short our visit? And at what...