Exhibition: Michelle Baubeau & Elizabeth Hollings
After 25 years of teaching in the village where she was born, MICHELLE BAUDEAU retired in 2011 to invest in the workshop "Le guetteur de
with her husband. She seeks, in the play of light and shadow, the memory of objects, the traces of time left as a signature before everything fades. She likes to bring to light these small details sometimes
imperceptible to the eye. Her work is very precise, bordering on trompe-l'oeil.
"My favorite subjects are the details of ageless doors, old stones and flowers that I take pictures of and interpret to keep only the elements necessary for the composition and the emotion I wish to communicate."
British born and with a degree in Textiles, ELIZABETH HOLLINGS was known for her delicate watercolors, but 25 years ago she discovered the light and colors of the South of France. Here the pastel conquered her with its power and texture and gave her a new dynamic vision of elements often neglected or looked down upon. She finds her inspiration in the fields - the old agricultural mechanisms, in the seaside - the boats and fishing nets, and in her garden/garden. She looks for the decorative and graphic side.
with her husband. She seeks, in the play of light and shadow, the memory of objects, the traces of time left as a signature before everything fades. She likes to bring to light these small details sometimes
imperceptible to the eye. Her work is very precise, bordering on trompe-l'oeil.
"My favorite subjects are the details of ageless doors, old stones and flowers that I take pictures of and interpret to keep only the elements necessary for the composition and the emotion I wish to communicate."
British born and with a degree in Textiles, ELIZABETH HOLLINGS was known for her delicate watercolors, but 25 years ago she discovered the light and colors of the South of France. Here the pastel conquered her with its power and texture and gave her a new dynamic vision of elements often neglected or looked down upon. She finds her inspiration in the fields - the old agricultural mechanisms, in the seaside - the boats and fishing nets, and in her garden/garden. She looks for the decorative and graphic side.
