Two musicians on stage, piano and cello. Pierre, an inventive, surprising, and free-spirited musician: he can caress his instrument, lyrically gentle, and he can mistreat it, wild and chaotic. Arthur on piano, keyboards, guitar, and vocals, with poetry.
Between acoustics and technology, the two musicians will attempt to invent a creative, live music while reinventing its classics. First, the familiar, warm, classical acoustic sound, then its infinite processing through new technologies. Pierre samples, loops, manipulates, transforms. Arthur modifies, opens up, expands. Always in a low-tech, Méliès-esque spirit, everything is visible and everything is invented in the moment; the gesture is musical, analog is the future. To tell stories of today, so that technology doesn't turn us into robots. The human who controls the machine, not the other way around. In spontaneity, in the moment, there is freedom, the suspension of time, listening. And play, the pleasure of venturing into play, the joy of energy.
