Group art exhibition: Matière & Lumière

Philippe Lonzi An instinctive creator deeply attached to respect and freedom, Philippe Lonzi has been transforming black steel into refined contemporary works for twenty years. In his studio-home, he sculpts blank metal sheets like blank pages, creating a dreamlike universe nourished by a lively sensibility and multiple inspirations. An inventor with a wide range of patents, he exhibits wherever human exchange is possible, staging his pieces thanks to a luminous device of his own design. His accessible, poetic art appeals to a public often far removed from the artistic world. Olivera Zsić Passionate about painting and dazzled by the beauty of our Presqu'île, she creates works centered around the theme of the sea. Her deep respect for Life and for our planet is expressed in her desire to magnify the elements "Water" and "Earth" through the textures that make them so special. Her works exude energy and mystery, and the experience of observation and analysis, beyond the emotional well-being she wishes to bring, is an invitation to an elsewhere... Françoise Suzanne A self-taught artist from Nice, Françoise Suzanne draws inspiration from Mediterranean light and her travels, nourished by the cultures of the world. Specializing in contemporary pointillism and abstract symbolism, she patiently composes vibrant works where each drop creates a dialogue of light, energy and poetry. Influenced by the primitive arts and certain masters of the XXᵉ century, she constructs a singular, luminous and spiritual universe, offering the viewer an experience that is both intimate and universal. Jocelyne Vaunaize-Dupuis Studied life drawing and art history at the Lille School of Fine Arts. Since opening her studio L'Atelier Bleu in Lille in 2004, she has organized drawing and sculpture courses and workshops. courses in drawing and sculpture. She lived for several years in Provence, where the light of the South - the vibrant blue of the sky and sea - profoundly shaped her artistic vision and continues to inspire her painting. With sculpture, I aspire to reveal the life force and beauty of the living model. It's a moment of communion with the model, my fingers seeming to take hold of it. I owe a great deal to my master Armand Debève from the Essat school in Roubaix, who taught me how to build a sculpture while preserving the emotion felt.