In its 30-year career, SINSEMILIA has never made the slightest concession to its way of life, its way of working, its way of seeing and making music.
While albums such as Résistances and Première récolte are major classics in the history of French reggae, the ultra-popular success of Tout le Bonheur du Monde has won over the general public (double gold disc for the album and platinum for the single).
This style is often confined to a very targeted audience, to very specific media, a pigeon-holed style that supposedly has no place in the general media.
But SINSEMILIA, with its frankness, its taste for exchange and dialogue, and its original style, has arrived where no-one could have imagined. At the pinnacle of media coverage! The group has become a major force in popularising reggae in France, introducing it to some and making it accessible to all. Since their beginnings, they have inspired dozens of groups defending the same values and the same music.
This style is often confined to a very targeted audience, to very specific media, a pigeon-holed style that supposedly has no place in the general media.
But SINSEMILIA, with its frankness, its taste for exchange and dialogue, and its original style, has arrived where no-one could have imagined. At the pinnacle of media coverage! The group has become a major force in popularising reggae in France, introducing it to some and making it accessible to all. Since their beginnings, they have inspired dozens of groups defending the same values and the same music.
